- Berg is one of a handful of composers who are able to create the rare experience of enchanted silence in their music – Berg's Flute Concerto No.1 Op.70 contains several such moments. Even though his tools are a "conventional" orchestra using "conventional" instruments, an unreal atmosphere of calm and celestial flight arises. One of the most fascinating aspects in this regard is that he does not use any minimalist or modernist devices at all; he simply allows the music and its inner qualities to speak in full. In our current age of constant hectic activity, where it is barely permitted to think a complete thought, music such as this is of the greatest importance: it gives the listener the chance to experience time as a benefit and not as a punishment. The concerto is dedicated to the Royal Concertgebouw Orchestra's eminent flautist Emily Beynon, and it received its premier performance in London in February 2009. - Wolfgang Plagge
Not really Gone is a part of the four movements symphonic poem About my Grandfather Op.37 - written in memory of the composer´s grandfather who was a semi-professional athletic. Hence the titles of the movements. He often trained athletics with his grandson.
First performed in the Kennedy Center, Washington D.C. on the 5th of October 2006 by Sir James Galway and the National Symphony Orchestra, conducted by Leonard Slatkin. The same program also performed the 6th and 7th of October.
Version for C flute first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.
Two very important factors that have always fascinated me deeply are Nature and Space; their influence is felt in many of my compositions. The title Flute Mystery represents a subjective reference to these abstract elements that surround us all the time. Hence Flute Mystery is based on personal feelings and moods encompassing these factors (among others). The alto flute part has both tranquil passages and others of greater intensity, combining here and there with the sympathetic input of harp and strings. It is a symphonic poem, written in a single movement, but with various tempi and dynamic markings. - Fred Jonny Berg