Fred Jonny Berg - Publishing - Waltz of the Queen Op.4a

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This month's featured work

Reminiscence

Reminiscence is mvt. 2 from

Flute Concerto No.1 Op.70

- dedicated to Emily Beynon.
Composer: Fred Jonny Berg

- Berg is one of a handful of composers who are able to create the rare experience of enchanted silence in their music – Berg's Flute Concerto No.1 Op.70 contains several such moments. Even though his tools are a "conventional" orchestra using "conventional" instruments, an unreal atmosphere of calm and celestial flight arises. One of the most fascinating aspects in this regard is that he does not use any minimalist or modernist devices at all; he simply allows the music and its inner qualities to speak in full. In our current age of constant hectic activity, where it is barely permitted to think a complete thought, music such as this is of the greatest importance: it gives the listener the chance to experience time as a benefit and not as a punishment. The concerto is dedicated to the Royal Concertgebouw Orchestra's eminent flautist Emily Beynon, and it received its premier performance in London in February 2009.
- Wolfgang Plagge

Reminiscence - Information page

Not really Gone

Ragnvald Jacobsen (1905-1997)

Composer: Fred Jonny Berg

Not really Gone is a part of the four movements symphonic poem About my Grandfather Op.37 - written in memory of the composer´s grandfather who was a semi-professional athletic. Hence the titles of the movements. He often trained athletics with his grandson.

This work has appeared in the movie Montagna con Forza as well as on the CD with the same name, About my Grandfather.

Not really Gone - Information page

Waltz of the Queen

– There are several elements in this piece which makes classical music shine throughout! Not only does this music make the genre itself more exciting, but it will surely prove to electronic-only fans that classical is a genre to behold for its honesty, richness, and imaginative nature.

All this, with just a piano!! It is amazing that so much emotion can be thrown into one piece of music. With all this emotion in there I find it hard to believe that a track of any kind would make any sense. But it seems that here too Fred Jonny Berg scores. He has managed to keep the structure intact, and the whole thing flows very nicely. (...)

In today's world, we have with almost no exception "freedom of speech." I believe that this right is equally so for music, and if Fred Jonny Berg "has a dream" I'll be sure to listen.

Read the complete review from "Gods of Music"